Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend. Written by garykmcd

A kaleidoscopic look at the last day of Italian filmmaker Pier Paolo Pasolini in 1975.

Inspired by a true story LIKE THE WIND narrates 15 years of Armida Miserere's life, a woman who with determination and grit, but also personal suffering, was one of the first woman to become governor of prison. Armida Miserere, after suffering the loss of her loved one, found herself on the front line in the fight against crime, governing the most dangerous jail in Italy, while struggling to find the truth and to get justice. The film is conceived as long flashback that highlights the most important moments of her life in the attempt to unveil her mystery. Written by Anonymous

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.